![]() Explained Congress and the OBCs: A short history.Sports Corruption was a non-issue in BCCI: Former anti-corruption chief Neeraj Kumar.Sports What lessons can IPL teams learn from Syed Mushtaq Ali experience of Impact Player rule?.Trending Drunk passenger vomits, defecates near toilet on IndiGo flight.Trending ‘Just take my money’: This convertible footwear that changes from heels to flats is winning over netizens.Entertainment Maidaan teaser: Ajay Devgn raises the stakes in long-awaited sports drama about the architect of modern Indian football.Entertainment Bholaa movie review: Ajay Devgn delivers no-holds-barred, high-octane actioner Bollywood needed. ![]() During UPA regime, CBI was 'putting pressure' on me to 'frame' Modi: Shah.3,016 new Covid cases in India, highest in nearly 6 months.Then there were the lighter bits, Alia in that fantastic AR Rahman song “Maahi ve” enjoying her new-found freedom, or Alia as Veera trying to seduce Mahabir and let him know that she is no longer scared of him, or the others. Alia was pure and heartbreaking, she performed it from a place of honesty, so much so that you felt like she was still a child when she did that. Both crucial segments, Mahabir one more so because that’s when the audience also gets to know her backstory in all its painful detail for the first time. Now, the scenes there are two sequences where she finally tells her truth regarding the sexual abuse she faced as a child - one, where she speaks about it to Mahabir, and then when Mahabir has died, and she yells out her ordeal in front of her parents and the abuser. Instead, it ended up winning most of the critics and did an average business, minting slightly over Rs 30 crore in India, and over Rs 47 crore in total. If Alia had been a lesser actor, Highway would have been a disaster. But it was Alia who carried Highway’s some of the most funny, sweet, sensitive and heartbreaking moments. It helped that Alia had a fantastic co-actor in Hooda, and a filmmaker like Imtiaz who knew what he wanted. A rather quick second coming, if you will. You could see that the script was inconsistent somewhere, but Alia gave all of herself to Veera. You could see that sometimes it was not as effortless, but you could also see real, genuine talent. It seemed to come out of her more organically than the Bollywood spectacle that was Student of the Year. It was not one of those performances where you thought, ‘Is this really her second film, she is already acting like a mature artiste, like she has been around for years.’ No, Alia as Veera felt raw, instinctual and sincere. According to society, ‘Veera’s life was set.’ But then a few days before the D-day, Veera is kidnapped by Randeep’s Mahabir and things change forever. Veera had loving parents, she came from wealth, she was soon going to marry a good-looking young man. That could be a part of it, but Imtiaz had given enough depth to Veera for us to know that even if that was the case somewhere, it was primarily because of what Veera had gone through as a young individual.Īlso Read | A decade of Alia Bhatt: One of the most talented actors working today, she can do it all Of course, many read the film as some sort of Stockholm Syndrome situation where a person falls for their captor. Alia’s Veera was not some manic pixie dream girl she was a living, breathing human being who, at a young age, had had her own share of trials and tribulations so that when she finally gets abducted by a truck driver called Mahabir (a fine Randeep Hooda), she realises that she can be totally herself without any external judgement or pressure. This was one of those rare Imtiaz movies where he did not have his male lead go through some sort of suffering which was later healed by his female lead. 3 Priyanka Chopra trumps Kylie Jenner, Selena Gomez is the owner of second wealthiest celeb beauty brand: reportĪ still from Highway featuring Alia Bhatt.2 Vaani Kapoor to make OTT debut with Yash Raj Films’ new show Mandala Murders.1 Maidaan teaser: Ajay Devgn raises the stakes in Amit Sharma’s long-awaited sports drama about the architect of modern Indian football.
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